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Users instructions for rosin
dust box SK-series. Polymetaal.
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Bientôt
en Français
Our Rosin Dust Boxes are
made of plywood and is fitted with a wooden grill to support
the plate to be coated. The grill of the SK-80 slides out to
facilitate the insertion and extraction of the plate. The
grill of the SK-50 and SK-60 series is fixed.
Before using our product it
is strongly recommended that one clean the inside of the box
to insure that dust particles or particles related to the
production process are extracted. This can be done with a
vacume cleaner.
Place the desired amount of
asphalt powder or resin powder on to the sheet metal form
found on the inside of the box. Close the box and turn the
handle to agitate the powder. Once the powder has been
agitated insert the plate to be coated.
The range of structure of
the aquatint technique can be narrowed down to three basic
principles.
- How long one waits
(after agitation) before inserting the plate.
- How long the plate
remains in the dust box.
- How one heats the coated
plate.
A structure range from
coarse to fine can be achieved by taking into account the
amount of time that passes between agitation and insertion
of the plate. The sooner one inserts the plate (after
agitation) into the box the greater the quantity of large
rough particles wil be present in the air, thus creating a
rough structure.The longer one waits before placing the
plate in the box the fewer of these heavy particles wil be
present in the air, in this way achieving a fine
structure.
Intensity of the tone is
dependant on the amount of time the plate remains in the
box. The longer the plate remains in the box the lighter the
tone achieved. Once the plate has been coated it is
important that the plate be extracted with great care: the
smallest shock will disturb the desired powder
distribution.
The coated plate must be
heated correctly to insure adheasion of the powder on to the
plate. The amount of time the plate is heated wil dictate
the formation of the grain. The plate must be heated from
below by using an open flame from a burner or small torch
(alchohol, gas, benzene, ect) The plate must be held up in
the air by a frame, either suspended from above or held up
from below. Heating the plate must be done carefully and
evenly. During the process the grain must be constantly
inspected with a magnifying glass. The particles must melt
enough to bond to the plate but not "flow" into each other.
If the plate is heated lightly (just enough to ensure
adheasion) one will achieve a clear even structure well
suited for the creation of tonal values and backgrounds. A
more vermicular structure will be achieved by heating the
plate for a longer period of time. Overheating the plate
will cause the powder to "flow" (coating the plate evenly)
thus loosing the aquatint effect entirely. If one continues
to heat the plate after the powder has flowed, burning will
occur destroying the ground.
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