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Bleu litter 100 grammes

020590
C.I. Pigment Blue 32. History and application: 16th century. Cobalt oxide is obtained by roasting cobalt containing minerals. This was then mixed with quartz and potash into a smooth, fused paste, then thrown into cold water, which disintegrated the blue particles; these particles were then ground to give smalt.
Used as a pigment. Transparent. Mainly used in oil and acrylic paints.
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Weight: kg

Emerald green light 100 grammes

020591
C.I. Pigment Green 7/ Pigment White 18

History and application:
20th century
Derived from phthalo green and lime.
Can be used in all techniques.
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Weight: kg

Emerald green dark 100 grams

020592
C.I. Pigment Green 7/ Pigment Yellow 42/ Pigment White 18/21. History and application: 20th century Derived from oxide yellow, phthalo green, lime and barium sulphate. Can be used in all techniques.
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Weight: kg

Spanish red 100 grams

020594
C.I. Pigment Red 102

History and application:
19th century
Quarried from mines in Gajen, Spain at a depth of 75 meter.
Can be used with all binders. Reasonable drying, light fast and heat resistant. Good colour and coverage. Also used to polish glass.
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Weight: kg

Turin sienna raw 100 grams

020596
C.I. Pigment Yellow 43. History and application: Ancient .Siena is a natural mineral pigment. Originally from Siena (Tuscany, Italy), later also from Corsica, Sardinia, Germany, Spain and Asia Minor. br/>Can be mixed universally. Cannot withstand fierce heat.
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Weight: kg

Turkish umber 100 grams

020598
C.I. Pigment Brown 7. History and application: Ancient. mineral pigments from France, Italy, Germany and Cyprus. A range of brown shades. ‘Burnt” actually means roasted, which is how umber acquires its chestnut brown colour. Can be used with all binders. Umbers rubbed in oil dry very well.
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Weight: kg

Turkish umber dark 100 grams

020599
C.I. Pigment Brown 7. History and application: Ancient. mineral pigments from France, Italy, Germany and Cyprus. A range of brown shades. ‘Burnt” actually means roasted, which is how umber acquires its chestnut brown colour. Can be used with all binders. Umbers rubbed in oil dry very well.
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Weight: kg

Ultramarine rose 100 grams

020603
C.I. Pigment violet 15 History and application: 20th century .First made as blue, a synthetic replacement for Lapis lazuli. Thereafter, scientists developed special ultramarines in a range of colours. Can be used with all binders. Very light fast. Good coverage. Mixes well. Heat and weather resistant characteristics.
Weight: kg

Ultramarine violet light 100 grams

020605
C.I. Pigment Violet 15. History and application: 20th century.First made as blue, a synthetic replacement for Lapis lazuli. Thereafter, scientists developed special ultramarines in a range of colours. Can be used with all binders. Very light fast. Good coverage. Mixes well. Heat and weather resistant characteristics.
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Van dykebrown 100 grams

020606
C.I. Natural Brown 8.History and application: 17th century. Brown coal, made soluble in a manufacturing process. Can be used to paint outlines or as wood varnish.
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Weight: kg

Venetian red 100 grams

020607
C.I. Pigment Red 102. History and application: Ancient .A mineral pigment of naturally occurring iron oxide. Can be used in all techniques.
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Weight: kg

Vermillion imitation 100 grams

020608
C.I. Pigment Red 57:1/ Pigment Blue 29/ Pigment White 18/21. History and application: Late 20th century
Derived from naphthol, azo pigment, calcium en baryta. Can be used in inks and all painting techniques. Also suitable for ceramics up to 180° C.
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Weight: kg

Sea Green 100 grams

020610
C.I. Pigment Green7/ Piment Blue 15:1/ Pigment White 18/21 History and application: 20th century  Derived from phthalocyanide green, phthalocyanide blue and barium sulphate. Can be used in all techniques.
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Weight: kg